Post-content: the sound and fury of contemporary political discourse

Trigger warning: text contains expletives and references to Donald Trump and Kim Kardashian.

Look at you. Your appearance is a wonderful succession of carefully arranged details. The studied dishevelment of your clothes: autumn colours, bohemian, unprepossessing yet expensive. Your demeanour is carefully calibrated to evoke an image of cultivation, of social accomplishment, élan and aspiration. Like most us, you enjoy the luxury of shuffling through a seemingly endless catalogue of social tendencies, aesthetic judgements and intellectual poses – you wear each like accessories. This tendency has led you to assimilate some of the more prominent features of contemporary counterculture: a preoccupation with identity politics; with societal discrimination, especially along racial and gender lines, and the dogmatic insistence on ever more archaic political language to redress certain omnipresent ‘power relations’ or ‘biases’. The political outcomes of these commitments are more often than not bizarre, with hashtag campaigns against fat-shaming heralded as an indicator of social progress and ‘empowerment’. This might all seem rather familiar: the term political correctness has gained currency in recent decades. But using it makes one liable to the charge of reductionism however, and I would presuppose that it is a much larger phenomenon with complex intellectual roots: post-structuralism, critical theory, literary theory, cultural criticism – these are just some of the terms that have been used to describe the wilder shores of unreason inhabited by the denizens of many philosophy and sociology departments. But that’s nothing I want to go into too deeply, just as little as I want to suggest my contempt for all things post-modern. Nor will I mention the Sokal Affair with one breath. So perish the thought.

What I am concerned with how all of this bullshit – this divisive and at times non-sensical form of counterculture – seems to be all to often associated with the political left as a whole. This seriously pisses me off, leftist as I am. There is little point, however, in denying the fact that leftist and progressive movements have been co-opted by this type of discourse. In doing so, it has largely subverted an effective engagement with the spectre of neoliberalism as well as greatly cheapening and hyperpolarizing our political discourse.

The whole things is, of course, not a uniform movement. There are different variants, or flavours if you like. For the sake of brevity, let me describe two of them. One countercultural variant is perhaps best described as the white edgy liberal variant, or alternatively TedTalkism. You know TedTalks: a sickening phenomenon where science, philosophy and technology are run on the model of American Idol, where celebrities of some kind use a combination of epiphany and personal testimony to recycle fake insights for an audience of mostly white, mostly liberal, mostly middle class millennials. The premise of this megachurch infotainment is that we don’t need to engage with anything in a serious academic manner; rather some new, sexy technology will ‘change the way we think about x, y, z and before you know we will innovate ourselves out of our problems. The same people sit around in Starbucks with their MacBook, reading WIRED magazine, jerking off to the latest video about how some new cloud app will revolutionize fucking everything. These are the same kind of people that adorn their LinkedIn profiles with such statements like “I am passionate about blockchain-based crowdfunding platform that matches deserving underprivileged undergrads with funders”. It would never occur to them to actually address the causes of poverty and high tuition fees or to pass moral judgment. It’s all about treating symptoms. Benjamin Bratton, in the only good TedTalk ever, memorably described this tendency as placebo technoradicalism, toying with risk so as to reaffirm the comfortable. The major insight here is that the basic design of liberal society is never discussed. Thus, the irony is that this variant of counterculture is not even progressive because it, like liberalism, believes itself to be objective, un-ideological and therefore above any discussion of ideas. Ideology, like bad breath, is what the other guy has. Economics, if at all, is discussed like a form of metaphysics stuck in some Cold War gear: options for change range from basically what we have plus a little more Hayek, to what we have plus a little more Keynes.

A disregard of hard, seemingly unfashionable levels of analysis and penchant for style over substance is what this variant have in common with the that other loosely defined movement, which one could describe as post-modern. Post-content, however, might be a more apt term. I think you know very well what I refer too. It has been all too easy for you to live in the borrowed splendour of critical thinkers whose work rather uncritically consumed – and by that I mean you’ve read one passage and maybe secondary text for one of your course. Bogus shows of learning, you trying to impress beyond your means. Why? You think that simply paying lip-service this sort of ostentatious postmodernism you have found an easy substitute for an informed opinion on say economic policy or political affairs or on issues of true intellectual and moral import. I mean it would be much harder to do the grunt work and actually find out for instance how the economy works than simply playing bullshit bingo: “There is nothing outside of discourse!”/ “There are no universal standards: it’s all textuality!”/ “We should ban the sexist and race-bating Hemingway from our curriculum!”/ “There is no such thing as ‘facts’ or ‘truth’.”/ “But those are just Western values, we shouldn’t judge countries like Saudi Arabia on their basis!”. The list goes on. Everyone who doesn’t agree with you earns such toxic sobriquets as “racist”, “sexist”, “privileged”, “ableist”, “essentialist”, “positivist” or, gasp, “western white male”.  The category mistake that is inevitable made is that a racist ends up being somebody whom you call a racist. Now,   I could probably write my Ph.D. on the theses issues, but let’s just stick to that to that ubiquitous statement about truth. Firstly, there is a philosophical temperament that sometimes surfaces here, that indeed thinks that anything less than the whole truth must not be only partial, but just because of that somehow false. Then of course it is the implicit postulation of precisely what it seeks to contest: a performative contradiction, since for there to be no truth, the statement “there is no truth” has to be true itself. How could you possibly be so self-incriminating?

Your political correctness, to extend the tiresome phrase, has reached an alarming level where the university curriculum is subject to the effective censorship of so-called trigger warnings (e.g. a censorship of Virgil, given the depiction of rape in the Aeneid), where satirists and any kind public commentator are forced to eat their words for eliciting the ire of some insufferable undergraduate nit-picking jerkoff who took offense at something he deemed inappropriate. A nasty side effect of this trend is that any mention of freedom of speech and political correctness in the same sentence immediately gets me associated with the likes of Harold Bloom and Donald Trump. Hyperpolarization in a terminal stage.

At best, this whole bullshit might qualify as mildly-entertaining sophistry; at worst it might engender a dangerous absence of, you know, meaning in public debate. Meaning has become the Yeti of political discourse, the pursuit of which is deemed slightly eccentric if not dubious. More to the point, the current trend in academic leftism it is a dangerous departure from the traditional Marxist preoccupation with the unity of theory and practice: within the context of political struggle, theory should guide and prove itself in practice. But this brand speculative leftism has reached a level of abstraction so divorced from reality that it’s no longer part of any struggle. It has arrested the development of a political left able to translate its critical resources into effective, concerted action. The moral energy that signified the activism of, say, the 1960s has become dissipated and introverted: we kept the weed and sex (nothing wrong with that) but dropped the values. Now we are singularly incapable of coordinating our thoughts. When the real issues arise, you guys are found standing dauntlessly at the sides, offering little meaningful commentary. I mean what relevance does your half-baked knowledge of your favourite French thinker’s genealogy have for an analysis of the financial crisis, or urban poverty, or human trafficking? Meanwhile the media becomes an echo-chamber of positive reinforcement, translating the obscure verbiage of post-structuralism into a stupefying and ever-increasing cycle of meaningless activity.

The horrible irony of the whole affair is that you and those motherfuckers in the sociology departments have more often than not completely misappropriated certain things: for instance you seem to believe that Jacques Derrida (for whom I have no love lost) declared there was nothing outside of text, a myth as widespread as the claim that Napoleon was an imp. Equally ridiculous is the assertion that Frankfurt School theorists like Marcuse rejected the Enlightenment. Perhaps the worst indictment is the portrayal of a true intellectual heavyweight and universal mind like Edward Said as the father of identity politics, while in actual fact he detested the movement. A simple glance into the foreword (!) of his magisterial Orientalism would have cleared things up, but somehow you and the riff-raff over at SOAS  and the New School managed to fuck it up.

Look at you. What are you accomplishing? You know that famous poem by Yeats that you pretend to have read? About how the best lack all conviction, while the worst are full of passionate intensity? It still holds. Most people in this planet are being exploited and oppressed and there are some very tangible reasons why. This is not an issue of shutting stable doors after the horses have bolted, but these reasons certainly have nothing to do with Hemingway’s racism. And yet, all your doomed, if fashionable, brand of counterculture has resulted in so far, apart from allowing you to embellish your own character, is having given birth to a scary mechanism where you can (must) applaud a nude pic of some attention-grabbing narcissist like Kim Kardashian as ‘empowering’.

There is, of course, an alternative to all this. It’s summed up in the injunction: get a life.

 

By Dominik A. Leusder

 

Night-time Poets

Slowly, his eyes open. The first morning lights escape through the dusty plastic blinds. A pattern of shadows covers his pale bed and languished body. His hair is greasy and his hands are dry. He stares at the white, empty ceiling.

Everything in his head spins around, swaying like a boat on rough sea. As he takes both hands to his face and strikes his cheeks, he takes a deep but trembling breath. With his eyes half-opened and his hands placed on his forehead, he scavenges his memories. His mind stands blank. Unwillingly, he turns his head to the left towards his bedside table. He feels his muscles creak and smells the sweaty odour of his shirtless chest. On top of his old-wooden table, he sees his wallet, two one-euro coins and a ripped-off red paper wristband. He reaches to the wristband and examines it. Slowly, unconsciously, he starts to drown in last night’s memories.

 

It was around ten in the evening as he swallowed the last bite of his pizza. With a full belly, he forced his brown-leather shoes on, without untying his laces. He grabbed his keys, wallet and mobile phone, placing them carefully in the pockets of his jeans before leaving the room. Outside, the dark-yellow street-lamps illuminated the wet concrete sidewalks. He walked for about ten or fifteen minutes until he reached his destination. The door was white, but painted by stains of grey dust. He rang the bell that hung beside the imposing number 31 carved in the scarlet bricks. As he waited, he took a glance at the lonely paved sidewalks and the drops of water that hid between the unequal pieces of the cobblestone.

As the door opened, he shook hands with his friend, combined with a blast of “what’s going on” and “what’s up”. Together they went up the narrow stairs covered in turquoise tattered rug. Once upstairs, he proceeded to greet and shake hands with the rest of his friends, followed by the obvious “how is life” and “how have you been”. They sat together on the old, torn beige couches in the living room. Opened bottles of rum. Red wine and a few beer cans stood proudly on the blankly simple, yet unclean, wooden table, waiting to be served. Meanwhile, the smoke that emanated from the ashtray rose towards the ceiling and danced with the lights. As the night went on, the room filled up with smoke and an indisputable scent of alcohol. After a decent amount of drinks, their minds came to the silent consensus that time had ceased to matter. They went on, laughing, clapping, finger-pointing, shouting, booing, and drinking through the night. In an act of predictable telepathy, a couple of them stood up.

“Let’s head out, guys”, one of them suggested.

Drunken mumblings resembling “let’s go”, “yeah man”, and “let’s roll” interrupted each other, resounding through the walls of the room. Despite the alcohol hijacking their cognition, they managed to descend down the narrow stairs into the streets of the city, now buzzing with crowds of half-drunken people. With the remainders of rum and wine, armed with some half-full beer cans, they strolled through the cobbled streets into the city night.

As they stumbled and tripped through the streets, he took a moment to look at the other people around them. Their movements were hasty, somewhat unpredictable, and their smiles were wide and uncontrollable. Somehow, it was as if they had woken up, as if they had received a reassuring push to free themselves. All the worries, all the mistakes and all the regrets had seemed to condense through the thick midnight air. Whatever happened in the next minutes, even the next seconds, was not their fault, they probably thought. But it actually was. Because far away from the cobblestoned streets at night, far away from their drunkenness of the moment, they had to be someone, and have something, and go somewhere. The problem, however, was not that they felt they had to be, have and go. The problem was that they accepted it, as if it was mandatory to live the lives that everyone before them had lived.

As they approached the entrance of a club, they finished whatever alcohol was left in their hands, proceeding to engage in futile small talks with other people over a couple of cigarettes. One by one, they descended the concrete stairs into a large room filled with people, music and lights. He looked around to all the people in the dance floor, their bodies moving fluidly, carelessly, touching each other without conscience. Their feet moved to the beat of the bass that trembled across the floor, lit by an endless amount of colours. Their eyes, half-opened, half-closed. As he moved into the dance floor, he felt the bass take over his heart beat, while the melodies that accompanied it deafened his ears and tickled his most inner soul. His heart could have simply burst out of his chest, fallen into the cold ground. For a moment, he forgot that one day he would be laying down in a bed dying, that before that he would have to procreate and find a suitable partner, and previous to that, work in a job to get money to feed himself and to own things. In that moment, while his feet danced to the rhythm of the night and his heart beat to the line of the bass, he ignored the crude destiny that awaited him – oblivion.

Hours later, they decided to leave the club and head back home. He grabbed his coat and walked into the cold night, lighting up a cigarette to entertain his stroll back home. Alongside walked his friend, as drunk and careless as him.

“Man, it’s freezing out here,” said his friend, shivering. He exhaled the smoke.

“Why did we even come here tonight?” His friend looked at him, then to the floor, and then stared at him for a while before replying:  

“Because this is what we do, we get wasted and pretend like everything’s okay for a while.”

He thought about it. It seemed depressing, yet not untrue.

“Why wouldn’t everything be okay?” he replied to his friend. “I mean, look where we live and what we have and stuff.”

“Man, you see, that’s the thing. We have to do all these things and we don’t even know why.” His friend looked up to the sky.

“We’re just a generation of lost night-time poets, juggling around with our emotions and fears in an attempt to find ourselves in the midst of all these expectations and pressures.”

His friend chuckled.

 

Back in his bed, the alarm clock roars as it strikes 9:30 in the morning. The remainders of alcohol in his blood, causing him a salient headache, leave a small room for guilt. However, it is too late to care, he thinks. This is the life that I have and that I live, so I must go on, he thinks. He realizes that, in the end, the blurry nights stumbling upon the wet cobblestone streets and dancing in the underground dance floors invaded by endless lines of bass might make a good story someday. He sighs. Godless, reckless and directionless he grins at the white, empty ceiling.  

Sergio Calderón-Harker